Amplifier with Steg MDSP 12 DSP processor

Name: Amplifier with Steg MDSP 12 DSP processor
Brand: Steg
Price: 1200.00 EUR
Availability: InStock

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12-channel amplifier with DSP processor, 12 x 80 / 6 x 180 W RMS (4 Ω), class D
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Amplifier with Steg MDSP 12 DSP processor

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Amplifier with DSP processor STEG MDSP 12

The new Steg MDSP 12 is a truly versatile amplifier that not only delivers unbridled power and sound dynamics, but also comes with all the prerequisites for easy integration into your vehicle. With its twelve high-level inputs and an optical digital input, the amplifier is perfectly equipped for seamless adaptation to existing multi-channel factory sound systems. MDSP 12 has its own 32-bit platform, which not only takes over all control tasks ultra-fast, but also handles a lot of audio functions. For example, fantastic sound effects such as Augmented Bass Processing or Real Center are implemented. Despite its wide set of functions and output power of 12 x 80 Watts at 4 Ohms, the MDSP 12 comes in a very compact design, so it can be installed without problems even in tight spaces. The powerful functions for the perfect audio experience can of course be easily configured through the new, professional and exceptionally intuitive software. Numerous setting options fulfill all wishes and guarantee extremely accurate sound settings even for complex system configurations. Support original car impedance detection, input EQ, AIIpass EQ, adjustable full-channel filter phase delay gain, 31-band EQ settings, all-pass filter mixing function.

Catalog number	MDSP 12
Brand	Steg
Links	Official web presentation
Number of amplifier channelsAmplifiers are divided into: - Monoblocks - 2-channel - 3-channel - 4-channel - 5-channel - 6-channel - multi-channel Each channel is used to power one speaker for the coaxial type, or one side if they are component speakers. Monoblock type amplifiers are mainly used for subwoofers. 2-channel are suitable for both subwoofers and, for example, the front pair of speakers in a car. 3-channel is used for front or rear speakers + subwoofer. 4-channel are used for front + rear speakers or 1 pair of speakers + subwoofer. 6 or 5-channel are used for 2 pairs of speakers + subwoofer, most often. Bridging means connecting the amplifier to a bridge, using the + pole from one channel and the - pole from the other channel. In most cases this is shown as "BRIDGED" on the amplifier.	12
Energy class of the amplifierAmplifiers are divided into two basic classes: analog and digital . Analog amplifiers (A/B) have higher consumption requirements, but usually have a more natural sound. Digital amplifiers (D) have significantly lower consumption and higher efficiency, but the sound may not be as faithful as with classic analog amplifiers.	D
RMS power into 4 ΩRMS power when loading speakers or subwoofer at 4 Ω. RMS power is the constant power of the amplifier and is one of the most important parameters when choosing an amplifier.	12 x 80 / 6 x 180 W
Inputs	12x Hi-level, 1x optical, 1x coax
Outputs	12 x speaker
Integrated DSP processor	Yes
Number of DSP processor channels	12
Frequency rangeThe ability of the amplifier to reproduce the signal from the lowest frequency to the highest = faithfully reproduce the sound in a specific frequency band. Professionally: In the frequency range from 40 to 16,000 Hz, the vast majority of fundamental and overtones (harmonics) of all musical instruments are found. We are interested in the course of the radiated sound pressure in this range of frequencies when the loudspeaker system is supplied with constant power. We call this course the frequency characteristic, which tells us the level of radiated sound pressure in decibels (dB) depending on the frequency. The frequency characteristic of a speaker or speaker system can be expressed most succinctly with a graph. Mostly, however, the frequency characteristic is indicated by indicating the maximum tolerance of the sound pressure in the given frequency range, e.g. 50 to 15,000 Hz -+ 6 dB. Since the frequency characteristics of loudspeakers and systems in general are quite uneven, some manufacturers do not even specify this maximum tolerance of sound pressure in decibels in their catalogs for reasons of prestige. Data impoverished in this way is unfortunately worthless. What is valid is that the manufacturer offers a speaker system with a frequency range of 30 to 20,000 Hz, if he is worried about stating the maximum unevenness of the sound pressure in this range, because he can have a tolerance of, for example, +- 20 dB. The unevenness or undulation of the frequency curve in good speaker systems for high-quality music performance should not exceed +-3 dB in the 80 to 12,000 Hz band and +-6 dB in the 40 to 16,000 Hz band. Greater unevenness already depletes or emphasizes certain tonal areas, which can cause audible or even disturbing distortion. The proportion between fundamental tones and higher harmonics also changes, thereby changing the color of the sound, and individual musical instruments as well as the entire musical image sound unnatural.	20 - 22000 Hz
Harmonic Distortion (THD)Total harmonic distortion indicates how much the input signal is distorted in the amplifier. Distortions appear as overtones contained in the output signal. The proportion of originally absent parts of the signal is given as a percentage, typical values are between 0.001% and 0.5%. Distortion is measured in their power band. If it exceeds the limit of 0.7% from a certain power, it is the value of the output power of the given amplifier, from which it no longer plays without distortion and from which the distortion usually increases steeply, so that no further increase in power can be counted on. The lower the value, the better.	< 0.01%
Signal-to-noise ratioThe signal-to-noise ratio means that the output signal always contains noise. The signal-to-noise ratio expresses how much of this noise is compared to the useful signal. The so-called A value is given, which does not take deep and very high frequencies into account. This corresponds to the characteristic of human hearing, which is not so sensitive to deep frequencies, especially below 1 kHz. The higher the value, the better the amplifier is.	> 100 dB
Dimensions of the amplifier	307 x 196 x 50 mm
Mass	4.2 Kg